Miriam Isasi
Balada de cantera
The object is energy, an energy that is expressed through vibrations, synergies, resonances and lines of force, with languages ranging from the intuitive and visceral, to the constructive and symbolic. A representation of the internal rhythms of matter.
Sound cartography, primitive writing and symbolism. The rhythms of the hammer and the pointer when carving the marble define a ‘tempo’, a melody by repetition. The movement of the arm makes a precise parabola. Ordered forms of kinetic energy in a plane. Gestural scores, energy converted into sound.
CV
Miriam Isasi has a PhD in Fine Arts from the EHU/UPV and the UNAM in Mexico. He has received
residency programs at the Spanish Academy in Rome (Italy), Artist x Artist (Cuba), BilbaoArte
Foundation, Kunsthaus in Bregenz (Austria), EAS-EZE Bitamine Faktoria (Irún-Buenos Aires), MA
Studio in Beijing, Nekatoenea in Hendaye (France), Center d’Art i Natura in Farrera (Spain) and at
the National Autonomous University of Mexico.
From a contemporary position, it generates a discourse that is built from winks to anthropology,
history, activism, alchemy, landscape and memory.
He has had different exhibitions at ARTIUM, the Spanish Academy in Rome, the San Fernando
Academy, the Guggenheim Bilbao Museum, the Bilbao Fine Arts Museum, the Rekalde Hall,
MUSAC, HUARTE, CAB, the BilbaoArte Foundation, Azkuna Zentroa Alhóndiga in Bilbao, the San
Telmo Museum, Tabakalera, Montehermoso or La Panera Art Center in Lleida among others. He is
currently working with Talka Galería in the production and visualization of some of his latest
projects
